Eric Vespe TV anthologies are gloomy. That’s why Tales from the Loop's earnestness will throw you for a loop By Eric Vespe 4 years ago Elijah Wood and his Come to Daddy director were terrified by the titular daddy off-screen, too By Eric Vespe 5 years ago Director Leigh Whannell says The Invisible Man is the psycho Aquaman of the Universal monsters By Eric Vespe 5 years ago Inside the Zombieland: Double Tap edit room, sequel secrets (and guts) get spilled By Eric Vespe 5 years ago Parasite director Bong Joon-ho on the twists and turns of his masterpiece By Eric Vespe 5 years ago Knives Out director Rian Johnson explains how to build a great whodunnit mystery By Eric Vespe 5 years ago How Netflix saved In The Shadow of the Moon, a new time-travel cop thriller By Eric Vespe 5 years ago Come to Daddy director Ant Timpson is also mesmerized by Elijah Wood's doe eyes By Eric Vespe 5 years ago The long, hard road to making Stephen King and Joe Hill's In the Tall Grass By Eric Vespe 5 years ago Director Takashi Miike looks back on some of his best (and bloodiest) movies By Eric Vespe 5 years ago Carnival Row is a morality story with MAGA-type slavers and fairy victims By Eric Vespe 5 years ago The Simpsons cast and creators mock Mickey, tease Stranger Things parody at D23 By Eric Vespe 5 years ago Agents of S.H.I.E.L.D. cast dish on final season, screen time-travel premiere at D23 By Eric Vespe 5 years ago How to pitch a movie and TV show, with Guillermo del Toro, Travis Beacham, and more By Jordan Zakarin, Eric Vespe & Andrea Ayres 5 years ago Villains, with Bill Skarsgard and Maika Monroe, was maybe SXSW's most twisted film By Eric Vespe 5 years ago Will Forte, failed rock star, hunts for a child sacrifice in Extra Ordinary By Eric Vespe 5 years ago Pet Sematary's Jason Clarke explains how Stephen King's original novel informed his performance By Eric Vespe 5 years ago The kids from Us were inspired by horror movies and... Optimus Prime By Eric Vespe 5 years ago Terminator 6's Tim Miller says Linda Hamilton and James Cameron's rules are key By Eric Vespe 5 years ago How Netflix's spectacularly weird Love, Death & Robots came together By Eric Vespe 5 years ago SYFY WIRE | Page 2
TV anthologies are gloomy. That’s why Tales from the Loop's earnestness will throw you for a loop By Eric Vespe 4 years ago
Elijah Wood and his Come to Daddy director were terrified by the titular daddy off-screen, too By Eric Vespe 5 years ago
Director Leigh Whannell says The Invisible Man is the psycho Aquaman of the Universal monsters By Eric Vespe 5 years ago
Inside the Zombieland: Double Tap edit room, sequel secrets (and guts) get spilled By Eric Vespe 5 years ago
Knives Out director Rian Johnson explains how to build a great whodunnit mystery By Eric Vespe 5 years ago
How Netflix saved In The Shadow of the Moon, a new time-travel cop thriller By Eric Vespe 5 years ago
Come to Daddy director Ant Timpson is also mesmerized by Elijah Wood's doe eyes By Eric Vespe 5 years ago
The long, hard road to making Stephen King and Joe Hill's In the Tall Grass By Eric Vespe 5 years ago
Director Takashi Miike looks back on some of his best (and bloodiest) movies By Eric Vespe 5 years ago
The Simpsons cast and creators mock Mickey, tease Stranger Things parody at D23 By Eric Vespe 5 years ago
Agents of S.H.I.E.L.D. cast dish on final season, screen time-travel premiere at D23 By Eric Vespe 5 years ago
How to pitch a movie and TV show, with Guillermo del Toro, Travis Beacham, and more By Jordan Zakarin, Eric Vespe & Andrea Ayres 5 years ago
Villains, with Bill Skarsgard and Maika Monroe, was maybe SXSW's most twisted film By Eric Vespe 5 years ago
Will Forte, failed rock star, hunts for a child sacrifice in Extra Ordinary By Eric Vespe 5 years ago
Pet Sematary's Jason Clarke explains how Stephen King's original novel informed his performance By Eric Vespe 5 years ago
Terminator 6's Tim Miller says Linda Hamilton and James Cameron's rules are key By Eric Vespe 5 years ago