Fans of the Alien franchise almost got an explanation for where the Xenomorph came from in the first sequel, 1986's Aliens. James Cameron, of course, went in a different direction when he signed on as writer-director.
While Christopher Nolan made several changes when adapting Homer's The Odyssey for the big screen, there was no world in which he left out two of the story's most famous monsters: Scylla and Charybdis.
Jurassic Park art director John Bell reveals that the under-renovation Visitor Center was an organic way to stay within director Steven Spielberg's mandated budget of $63 million.
The scene (you know the one) with Samantha Morton's Circe remains a standout moment in Christopher Nolan's The Odyssey, and becomes all the more impressive by the fact that no CGI was used.
Hot off the success of his Vietnam War/dinosaur mashup Primitive War, filmmaker Luke Sparke is now committed to bringing the prehistoric reptiles to a new historical period: the Old West.
Released in 2006 to positive critical reception and a sizable box office gross, the animated horror-comedy Monster House was disowned by one of its credited screenwriters: future Community and Rick and Morty creator Dan Harmon.
Christopher Nolan's preference toward in-camera effects led him to take a practical approach to the dreaded Cyclops Polyphemus (Bill Irwin) in The Odyssey.
John Bell, who worked as art director on Steven Spielberg's Jurassic Park, go inside the iconic props he designed—from Dennis Nedry's Barbasol can to John Hammond's cane.
The Odyssey honored Christopher Nolan’s longtime collaborator David Keighley by dedicating the film to IMAX’s former Chief Quality Officer, who died last year only weeks after completing work on the epic adaptation.
Star Wars creator George Lucas has offered up his thoughts on the now-infamous fan backlash to his prequel trilogy comprising The Phantom Menace, Attack of the Clones and Revenge of the Sith.
Lin-Manuel Miranda, the acclaimed creator of Hamilton, could have entered the Marvel Cinematic Universe as Adrien Toomes/Vulture in Spider-Man: Homecoming.
The Dark Crystal, Jim Henson's fantasy cult classic, would not have been possible without the puppetry advancements made on Star Wars: The Empire Strikes Back.
The End of Oak Street, an Amblin-esque outing from It Follows writer-director David Robert Mitchell, follows a suburban family fighting for survival after their neighborhood is mysteriously transported back to the age of dinosaurs.
